CONFERENCE PRESENTATIONS
2021 “What makes a film an “ethnomusicological film”?, Seminar of the 2nd Chinese Music Ethnographic Film Festival, Shanghai Conservatory of Music, Shanghai, China, 11/12/2021.
2018 “Visual communication in Ethnomusicology: An overview of different theoretical and methodological approaches and the analysis of some case studies”, Conference on Visual Anthropology and Ethnomusicology, Yunnan Art Institute, Kunming, China, 13/10/2018.
2018 “Ethno-Tourism, Myth and Songs among the Bulang People in Yunnan, China”, 2nd Symposium ICTM Study Group on Audiovisual Ethnomusicology, Lisbon, Portugal, 27-30/6/2018.
2018 “Ethno-Tourism, Myth and Songs among the Bulang People in Yunnan, China”, 2018 Kunming International Forum for Ethnomusicology and Music of Ethnic Minorities, Kunming, China, 12-13/6/2018.
2017 “Ethno-Tourism, Myth and Songs: A Research Film Project in Yunnan, China”, 44th ICTM World Conference, Limerick, Ireland, 13-19/7/2017.
2016 “Filming music heritage: a TV documentary production in Calabar, Nigeria”, Music Forum of the 2016 Yuansheng Indigenous Music and Dance Festival, Kunming, China, 28/11-2/12/2016.
2016 “Filming the vocal performance and its process of interactions: a case study on the contrasto in ottava rima in Tuscany (Italy)”, 1st Symposium of the ICTM Study Group on Audiovisual Ethnomusicology, City Museum, Ljubljana, Slovenia 24-27 August 2016.
2015 “Reality and fiction in ethnomusicological documentary: different perspectives and new trends”, International Symposium: Global Perspectives of Chinese Music in the Internet Age, College of Music, Ningbo University, China, 27-30/11/2015 [picture].
– “Los hilos de la memoria. Buscando el origen de la cumbia en el pais de los Carabali”, Jornadas de Música Africana, Institut Catalunya-Àfrica, Universitat Pompeu Fabra, Barcelona, 19-20/11/2015.
– “Filming the transmission of musical knowledge: the oral-aural-visual communication process”, ICTM World Conference (2015), 43rd International Council for Traditional Music, Kazak University of Arts, Astana, Kazakistan, 20/7/2015.
2014 “An Ethnomusicological Perspective for a Television Documentary Film: A Fieldwork Experience in Calabar, Nigeria”, MusiCam 2014, International Conference on Visual Ethnomusicology, University of Valladolid, Spain, 5–7/11/2014.
2013 “An Ethnomusicological-television Experience in Calabar, Nigeria: Ethics and Methodological Issues”, ICTM World Conference, 42nd International Council for Traditional Music, Shanghai Conservatory of Music, Shanghai, China, 15/7/2013.
2012 “Filmar la musica: un recorrido historico sobre teorias y metodologias en etnomusicologia visual”, Universidad de Valladolid, MusiCam 2012: 3̊ encuentro de etnomusicologia visual, Valladolid, Spain, 3/5/2012.
2011 “Vallenato: Hybridization and Metamorphosis of a Musical Genre of the North-East of Colombia”, ICTM, 4th International Symposium of the Department of Musicology, Faculty of Arts, University of Ljubljana, Slovenia, 26/8/2011.
-“Santos, demonios y divinidades. Practicas musicales y devocionales en las culturas afrolatinoamericanas”, Universidad de Valladolid, MusiCam 2011: Etnomusicología y documentación audiovisual, Valladolid, Spain, 17/3/2011.
2010 “Filmare la musica. L’utilizzo del mezzo cinematografico nella rappresentazione delle musiche di tradizione orale”, Summer School “Ars Videndi”, Scuola di antropologia visiva e tecnologia dell’immagine, Università di Siena, Italy, 9/9/10.
– ”El acordeon del diablo: la musica vallenata”, MusiCam 2010: Etnomusicología y documentación audiovisual, Valladolid, Spain, 19/5/2010.
2007 “Huellas de Africanía. Instrumentos musicales de origen africano en Colombia”, Musica subsahariana: tradicion y patrimonio cultural africano, Universidad de Valladolid, Spain, 26-28/3/2007.
2006 “Las raices de la musica del Mediterraneo, un puente hacia un nuevo imaginario musical local”, II Encuentro de Festivales y Musicas del Mediterraneo, CCCB, Barcelona, Spain, Sept. 21-22.
2005 “People and Sounds. Filming African Music Between Visual Anthropology and Television Documentary”, VII Encuentros de Estìo: Mùsicas de Africa Subsahariana. Experiencias recientes de investigaciòn Universidad de Valladolid, Spain, Sept. 26-27 [photo].
2004 “Etno-historia y literatura oral: los cantos épicos de los cantahistorias” and “Los instrumentos musicales como cultura material y objetos simbòlicos”, Lectures, Universidad de Valladolid, Spain, 10/11/2004.
2003 “Global vs. Local: The Impact of Globalization on Traditional Cultures”, 2003 International Borneo Conference: The Ethnic Music of Sarawak, Kuching, Malaysia, July 8-9. Proceedings published in Sarawak Development Journal, 280/4/2004, vol.6, N.2, Dec. 2003, pp. 44-51.
2003 “Huellas de Africanía. Instrumentos musicales de origen africano en Colombia”, III Coloquio Internacional de Musicología: Casa de las Américas, La Habana, Cuba, 27-31/10/2003.
2002 “La cumbia colombiana: análisis de un fenómeno musical y socio-cultural”, IV Congreso Latinoamericano IASPM, México, 2-6/4/2002.
2001 “Le processus de persécution et moralisation des coutumes africaines dans la société coloniale latino-américaine”, Colloque International “Tarab”, Tanger, June 2-4/6/2001.
– “Traditional Performing Arts and Globalization: Ethnic, Ethic and Aesthetic Choices”, Art Summit Indonesia 2001 – International Seminar on Contemporary Performing Arts, “The Challenge of Multiculturalism”, Jakarta, Indonesia, 14-16/9/2001.
2000 “Folk Music Atlas in CD-ROM: Application of Multimedia Technology for Conservation and Diffusion of Traditional Music”, Forum International des Artes Traditionnels, Jakarta, Indonesia, 4-7/5/2000.
